This body style boasts oval footprints with some serving pieces sporting a scalloped base.  Embossing adorns the rim and upper torso as well as the scallops on the foot of some pieces.

This category includes compotes, rectangular platters and side dishes, square nappies and butter pats. They were made by many of the late period potters in a simple form without added embelishment. Thus, they could be used with any of the myraid of dinner services in vogue.

A very ornate body style, usually of porcelain, Rococo is found in many guises with variations in embossing and shaping. Some examples of the body style can be found with fancy, footed bases while others have flat shaped bases below subtly embossed bodies.

Holloware pieces in Maidenhair Fern feature embossed fern designs at the handle terminals. The same embossing is found at the strap finials. Although basically a rectangular shape, it is softly rounded. Tea service pieces and pitchers have scalloped rims above a very pronounced neck. They are very high waisted, then taper to a scallopd base. Note that some bath pieces have a roiund footprint.

Wedgwood's Simple Square demonstrates a simple style with a recessed base and straight, tapered sides. The sides of the covered dishes taper gradually to a flat base while pitcher sides flare to a low waist, then indent sharply to the base. Note that some bath pieces may have a round footprint.

A body style developed by Vodrey & Brother Pottery, Ursilla features a round footprint with scrolling embossing on the throats of pieces such as shaving mugs.

The body style is identified by the ribbing around its neck. Pieces have a round waist, modified bracket handles and ribbed neck embossing.

This is a body style featuring a smooth collar without any ribbing or embossing and sporting either no distinct spout or a non-flaring spout formed as part of the collar and not reaching upwards above the collar rim.