Octagon (8-Sided)

The vertical panels of this Gothic body style flow gently outward to the wide base. The collar is widely flared above the neck. Pitchers and teapots have bracket handles while covered pieces are found with ear-style lug handles. This Gothic style does not have a deeply indented arc near the base that characterizes the Classic Gothic.

Crescent arches embossed near the top rims of holloware and flatware pieces identify this body style. It is usually found with only banding but examples with teaberry motif are known. The impressed oval mark verifies that the potter's name for this body style is Augusta Shape. Many pieces are found simply marked "J. Clementson, Sheldon." 

One of the earliest body styles to be decorated with copper lustre motifs, Classic Gothic is characterized by its octagonal shape. Pitchers and teapots have bracket handles, while sugar and vegetable dishes have spiraled ear handles.

Classic Gothic can be distinguidhed from its cousin, Full Panelled Gothic, by the eight panels which extend downward to a deep indentation just above the base.

One of the most popular of the early body styles, Grape Octagon has fluted octagonal panels and grape embossing at handle terminals and finials. Pitchers and teapots have distinctive B-shaped handles.  

The cameo heads distinguish Walley pieces from other Gothic examples. Davenport also produced a seldom found mitten-shaped relish or pickle specimen of the Gothic Cameo body style. The Davenport pickle is the same deign as other Gothic Cameo relishes.

The fluted shell design with the elaborate cameo handle is most attractive.

Registered in 1847.