Bath

Elsmore & Forster's bulbous style with embossed laurel wreaths is lavishly decorated with brilliant copper lustre. The neck is marked with vertical ribs and thumbprints while only ribbing marks the lower body and shaped base. Copper lustre adorns the twisted rope finials and upturned handles of holloware pieces. The copper lustre dotted bands on the necks and lids of holloware pieces can also be found on the rims of plates, platters, relish/pickle dishes, cups and other flatware.

The flourish of brilliant copper lustre which completely covers the finials, coupled with the prominent flare of the tea service pieces, evoke thoughts of blaring trumpets. Pieces are sometimes found with an impressed "No. 2", a mark found on other Elsmore & Forster body styles. Examples of Fanfare pitchers have been found sporting botanical motifs and having air holes near the upper handle joints and in the base - a puzzle to learn more about!

Unlike his predecessors, Elsmore & Forster, Thomas Elsmore used the standard Tea Leaf motif on his wares. While it is usually found in creamy yellow shades of ironstone, there are known pieces in the traditional white color. The shape is essentially a very bulbous round with high domed lids on the lidded tea set pieces. The oriental flavor of the shape is reminiscent of the ginger-jars of ancient China.

John Edwards' stylish Camille is indentified by the distinctive "Porcelaine de Terre" mark. Every 4 inches along the base of an ewer there are two pairs of soft fluting that rise four inches. The soft fluting is repeated at the top extending down 1.5 inches. A scrolled 'c' design decorates the handle with a leaf impression at the top handle terminal. There is scalloped embossing almost like lace edging at the throat.

Truly a lovely example of the potter's art.

Coornet is a plain round style characterized by a crown-like finial on covered holloware pieces. Note that some pieces like gravy boats and covered vegetables feature an unusual scalloped footprint. 

This late Clementson Brothers bulbous square body style presents a very sturdy appearance. The angular lines and wide horizontal band at the terminals of the bracket handles are a precursor of the Arts and Crafts movement that supplanted Victorian fussiness.

Registered in 1885.

Elegance is a round style with fancy scroll-like embossing at handle terminals and at the finial. The distinctive double C-scroll finial is quite unusual and is the inspiration for the name "Elegance." Registered in 1884.

The simple lines of this bulbous round style are relieved by the bands of beads found at the handle arch and on the finial. Dressed up with a bold teaberry motif, it has a plain but pleasing look.

A square style from the same blank as Bullet, Daisy features a square faceted knob finial and daisy rosettes at handle corners. It has a very pronounced flared shape which indents sharply to the bracket foot base.

Registered in 1884.

Corinthian columns with intricate capitals graced the architecture of ancient Greece. The stately columns dividing this elegant pitcher into quarters are the inspiration for the adaptation of the Corinthian name. A crimped and scalloped rim tops the colonaded body.