Bath

An embossed spray of flowers and foilage emanating from the handle terminals graces the body of the bulbous, rounded serving pieces.  Smaller sprays are found on the rims of plates and platters. 

Powell and Bishop decorated the Prairie Flowers blanks of their predecessors, Livesley and Powell, with the fanciful copper lustre Pomegranate design. Pitchers have a vertical arrangement of wheat and poppy embossing which characterized this body style.

This Square Ridged style was dubbed "Hearts" because of the heart-like lustre decoration on the finials and handles of the serving pieces. The lids of the teapots and sugar bowls appear to be almost too large for the body. Mellor Taylor made a complete dinner service in this style including such incidentals as butterpats, square sauce dishes, cups and saucers - everything except plates. 

Ribboned Round features ribbons that stream from the upper handle terminals of holloware pieces like the teapot and waste jar. The design is repeated on the lids. Handles and finials are keyhole arches with splashes of copper lustre.

This body style is identified by lacy embossing and lustre decoration.

This body style features arched panels with spade-like decorations at the base of each panel. It's reminiscent of the designs in the art nouveau period - hence the name. To date, only a bath ewer has been found.

This 1890s body style has been discovered in a ewer and wash bowl set. The ewer is divided into four bulbous lobes. There are pleats at the spout and upper rim with vines surrounding the side and front lobes at the neck. The bottom rim also has the vine motif at the foot of each lobe. A C-shaped handle complements the piece with embossing on both sides.

This four lobed design is repeated in the bowl with an undulating rim and vines just below. A fantastic piece! 

The body style is identified by the fancy crown-like finial. The medallion in the middle of the finial also appears in the middle of the handles. Holloware pieces have large bracket handles.

The syndenham body style was introduced by T & R Boote in 1853. It achieved instant popularity and thus was copied widely. The three potters (Livesley and Powell, Anthony Shaw and Edward Walley) decorated their Wrapped Sydenham versions with a variety of treatments. Collectors will find traditional Tea Leaf (Shaw) , Scallops (Walley) and Lustre Band (Livesley & Powell) motifs. FInials may also vary - Shaw may have a bud finial ahile Walley feature an acorn finial. Patton also made wares in this body style.

This body style was identified by a printed mark.

A smooth body with tapered base and vertically ribbed neck. The piece has large ear-shaped handles.