Copper Lustre

An elegantly paneled style with leaf embossing at the handle terminals and surrounding the rosebud finial. Chinese Shape is found decorated with Tea Leaf or Teaberry motifs; even with gold lustre motifs on lighter weight bodies. Some examples by Anthony Shaw actually are in lustre band only and may be either panelled or smooth.  Red Cliff copied the lines and the distinctive Shaw tea leaf in their mid-20th century reproduction line.

This Sydenham-related body style was potted by several makers, each adding their own individual touch by varying the finials. Livesley and Powell used a cone-shaped knob; Elsmore & Foster used an acorn on top of the child's pieces, and a nut finial on their adult pieces. Children's sets by Elsmore & Foster sport Morning Glory or Tpbacco Leaf motifs. Registered in 1855.

Crescent arches embossed near the top rims of holloware and flatware pieces identify this body style. It is usually found with only banding but examples with teaberry motif are known. The impressed oval mark verifies that the potter's name for this body style is Augusta Shape. Many pieces are found simply marked "J. Clementson, Sheldon." 

A rare body style with copper lustre and Teaberry motif. There is grape embossing surrounding the finial of tureens and unusual spiral handles on handled pieces. Livesley and Powell produced this ware in the 1850's but Clementson may have produced their version later.

Crystal is a very plain bulbous style potted by two famous producers of Tea Leaf ironstone. The only difference in the teapots is the rim style. Clementson used a flanged simple rim while Elsmore & Forster scalloped their flanged rim. Elsmore & Forster uses a heavily lustred knob finial.

One of the earliest body styles to be decorated with copper lustre motifs, Classic Gothic is characterized by its octagonal shape. Pitchers and teapots have bracket handles, while sugar and vegetable dishes have spiraled ear handles.

Classic Gothic can be distinguidhed from its cousin, Full Panelled Gothic, by the eight panels which extend downward to a deep indentation just above the base.

One of the most popular of the early body styles, Grape Octagon has fluted octagonal panels and grape embossing at handle terminals and finials. Pitchers and teapots have distinctive B-shaped handles.  

One of the most popular and available bulbous body styles, it is said to have been potted to commemorate the laying of the Trans-Atlantic cable.

A square style with handles and finials resembling bamboo stalks, this was one of the most widely produced body styles. Holloware pieces were available in straight-sided style as well as a slightly bulbous version. Bath set pieces such as ewers and master waste jars are often round and bulbous.

Registered in 1873.

Fluted corners on an otherwise plain surface characterize this beautiful body style. Fancy finials and handles provide added embellishment to an otherwise simple form. When comparing the different manufacturers you will notice the following:

Alfred Meakin - Has a skewered finial and oval, round or oblong footprints. Butter pats do not have any noticeable ridging but are scalloped and can be confused with Simple Pear although the latter is always marked Alfred Meakin LTD.