Morning Glory

Elsmore & Forster's very popular wheat style was widely copied by other potters, both British and Amrican. It is an extremely well potted line which is found in many elegant decorations. In addition to the copper lustre enhanced version, there are examples with cobalt, a lighter blue, green and gold lustre, a mustard yellow and even in a Rockingham glaze. 

Registered in 1859.

Many potters produced goods in the Gothic style, such as Classic Gothic, Full Panelled Gothic, etc. To our knowledge, only Elsmore and Forster actually marked their wares with the "Gothic Shape" name.

The mark has appeared on a relish dish that has also been found marked "Portland Shape."

Plain Tobacco Leaf plates have been found maked "Gothic Shape" also.

This Sydenham-related body style was potted by several makers, each adding their own individual touch by varying the finials. Livesley and Powell used a cone-shaped knob; Elsmore & Foster used an acorn on top of the child's pieces, and a nut finial on their adult pieces. Children's sets by Elsmore & Foster sport Morning Glory or Tpbacco Leaf motifs. Registered in 1855.

Crystal is a very plain bulbous style potted by two famous producers of Tea Leaf ironstone. The only difference in the teapots is the rim style. Clementson used a flanged simple rim while Elsmore & Forster scalloped their flanged rim. Elsmore & Forster uses a heavily lustred knob finial.

One of the most popular and available bulbous body styles, it is said to have been potted to commemorate the laying of the Trans-Atlantic cable.

This is a gold-lustre decorated body style. Full Ribbed pieces are usually of porcelain or other lightweight china. In purist measure, it does not fit with the Tea Leaf Club International definition of wares that the club promotes, but is included here for educational purposes. The Bridgwood firm has been in existence for almost two centuries, so it's hard to say exactly when they made Full Ribbed. Godden states that this company produced porcelain wares prior to 1887; semi-porcelian wares in the first half of the 20th century.

Although the Baker pottery was not a prolific producer of Tea Leaf wares, they did decorate their handsome Draped Leaf style with a classic copper lustre Morning Glory motif.