Round

Round Scallop features deep scallops surrounding the well of the plate, but the outer rim is round and not sided. There may be other potters who produced this as well.

This bulbous body style features embossed grape leaves spreading from the finials and the handle terminals. It is found with at least two types of finials, the ring finial and also a grape cluster version. Since it is found with such a variety of treatments, including the unusual Botanical motifs, it was evidently one of the most popular of the early body styles.

The phoenix bird mark on a known sugar bowl reads J. Clementson while a pitcher is marked Clementson Brothers. Arnold Kowalsky points out that "Many prior Joseph Clementson shapes were reissued by his sons."

The ring-handled shape is consistent with styles of the 1850s, but the mark on a known pitcher indicates a later production date.

This late 19th century design was used by many potters of that era. Notable are the Tea Leaf designs by Anthony Shaw and the Teaberry motif examples by Clementson Brothers. Both examples have knob finials The Plain Uplift body style has simple lines and the uplifted handles attached to the body. Sometimes the handles are adorned with a decoration similar to beaded band.

Priaire Shape is embossed with wheat sheaves and poppies. This body style rivaled Elsmore & Forster's Ceres Shape in popularity. Produced for the American export market, the name and the design had instant appeal.

Registered in 1862.

Clementson's New York Shape is characterized by a tapered bulbous body with embossed leaf designs sometimes referred to as phoenix. The distinctive base has a thumbprint design below the low waist.

Registered in 1858.

The lavish embossing on a known ewer and wash bowl set prompted the name of this unusual body style. To date, only chanber sets have been discovered in this body style.

The ribbing at the base of the chamber pieces may have been the inspiration for the Adams' 20th century Tea Leaf replicas (Empress). Since Adams called his ware "Empress," we have dubbed this late 19th century product Old Empress. After all, in the late 1890-'s, Queen Victoria was indeed an "Old Empress."

Note that the potter is C. Challinor who was in business for only four years, from 1892 to 1896. This firm was the successor of the better known E & C Challinor, 1862-1891.

This is a generic category which includes scalloped rim pieces, both flat and hollow, that have no specialized embossing. In addition, it includes the scalloped rim bone dishes, butter pats, and nappies.

The embossing at the top of the handle resembles a Bird Foot Violet, a five petal flower with foilage. The lustre outlining the vines, which flow from the handle terminals, is an unusual and pleasing addition to this basically plain, round bulbous body style.